主办单位：一版一物工作室
策展人：张骞戈及其一版一物团队
参展人：张骞戈
开幕时间：2025年9月30日下午4:00
展出地址：上苑艺术馆（北京怀柔桥梓艺术公社）
同期艺术活动：版画珍珠之藏书票创作（艺术家专场），2025年9月30日上午10:00，即日开始报名限15位。
展览前言：
当我在罗马美院的版画工作室里反复刻下那一道道凹痕时，尚未意识到，这场始于技术训练的修行，终将演变为一场横跨欧亚大陆的自我救赎。
在策展动线中，有一本《台伯河畔艺术絮语》是我本科阶段撰写的艺术评论和文章，早期发布于《泰坦逛欧洲》自媒体，它们如时光碎片般散落，这些文字和思想记录着一个中国艺术学子对西方当代艺术体系的质疑：在装置艺术资本化、行为艺术娱乐化的时代，一个游学异乡的版画系中国学生如何保持精神的独立？
沉默，在此次展览中升华为独特的艺术语言，我在硕士阶段的“失语”在策展叙事中被转化为一种深刻的创作自觉。在罗马这座巴洛克修辞过剩的城市里，我的版画工具开始追求减法：那些被酸腐蚀的铜版凹槽、木刻刀留下的原始质感，都成为抵抗当代艺术话语泡沫的诚实宣言。展览中一组题为《缄默》的系列作品，这恰是在欧洲学到的最重要一课：当言语苍白时，物质自有其诉说方式。
以刀笔为媒雕刻时间的维度，在罗马我学到的不仅是克罗齐美学或文艺复兴技艺，更是在他者文化中重新发现自我的勇气。漂泊意大利求学多年我终于理解：真正的策展从来不是布置空间，而是策划一场永不停歇的自我更新；展览还有个副标题“纯艺术公益分享”，指向在当下的环境中“不策之策”才是本次个展的核心理念。
最后，致所有参与这场沉默仪式的同路人，愿每位观者、读者在此场展览中遇见下一个阶段的自己。
Foreword to the Exhibition
When I repeatedly carved those indentations in the printmaking studio
of Accademia di Belle Arti di Roma, I had no idea that this practice,
which began as technical training, would eventually evolve into a
journey of self-redemption spanning Eurasia.
Along the curatorial route, there is a collection titled Artistic
Musings by the Tiber River – a compilation of art critiques and essays I
wrote during my undergraduate studies, initially published on the
self-media platform Titan’s Tour of Europe. Scattered like fragments of
time, these words and thoughts record a Chinese art student’s
questioning of the Western contemporary art system: In an era where
installation art is capitalized and performance art is trivialized, how
can a Chinese student majoring in printmaking, studying abroad in a
foreign land, maintain spiritual independence?
Silence has been elevated to a unique artistic language in this
exhibition. The "loss for words" I experienced during my master’s
studies was transformed into a profound sense of creative awareness
within the curatorial narrative. In Rome – a city overflowing with
Baroque rhetoric – my printmaking tools began to pursue "subtraction":
the acid-etched grooves on copper plates, the raw texture left by
woodcarving knives – all became honest declarations resisting the
discursive bubbles of contemporary art. A series of works in the
exhibition entitled Silence embodies the most important lesson I learned
in Europe: When words are pale, matter speaks in its own way.
Using carving tools as a medium to inscribe the dimension of time,
what I learned in Rome was more than just Crocean aesthetics or
Renaissance techniques – it was the courage to rediscover myself through
the lens of another culture. After years of studying abroad in Italy, I
finally understood: True curation is never about arranging a space; it
is about orchestrating an unceasing process of self-renewal. The
exhibition also has a subtitle, "Pure Art Public Welfare Sharing," which
points to the core concept of this solo show amid the current context –
"the uncurated curation."
Finally, to all fellow travelers who have joined this silent ritual:
May every viewer and reader encounter the next phase of yourselves in
this exhibition.
主要展出作品包括：
1. 艺术手工书《炸裂志》 2024年，麻胶版画，画芯尺寸15×46cm。
作品详细介绍：版数：3/5，这幅作品是《炸裂志》手工书的跨页插图，重现了旷工诗人陈年喜的诗歌炸裂志，试图以或粗狂或锐利的刻痕和层层叠压如墨色一般的肌理来重现这份地层深处的呐喊，那是卑微者在命运重压下迸发的如炸药般原始而悲怆的生命力。作品试图凝固那“炸裂”的临近状态——毁灭与新生、黑暗与微光在此激烈交织，是对所有在生活重压下依然奋力闪耀的生命意志的致敬。注：参展作品更多具体介绍将同期在一版一物公众号发布。
2.艺术手工书《看不见的城市》 由9幅独立作品构成，2024年，使用艺术家自制水彩绘制。
3.艺术手工书《佐贝伊德》 由2幅独立作品构成，2024年，麻胶版画。
4.艺术手工书《胎生》 由9幅独立作品构成，2022年，麻胶版画。
5.手工艺术书《天水民俗图鉴之疚病》
由3幅独立作品构成，2022年，综合材料。
6.手工艺术书《天水民俗图鉴之山神》
由3幅独立作品构成，2022年，综合材料。
7.插画系列《椭圆形肖像》 由3幅独立作品构成，2022年，灵感源于美国作家爱伦·坡的短篇小说，水彩。 该作品收录于《中国艺术插画年鉴》。
8.插画系列《宇宙奇趣》
由3幅独立作品构成，2022年，灵感源于意大利作家卡尔维诺的《宇宙奇趣全集》小说，水彩。
9.版画-塔罗系列《太阳》《月亮》《星星》 2021年，麻胶版画。其中《THE SUN》详见嘉德网拍记录。
10.版画-《缄默》系列 2024年，铜板版画。
11.版画-《探清水河ⅠⅡⅢ》 2020年，铜版版画。
12.石膏素描 2019年写生于意大利Andersen博物馆。该作品曾参展由罗马艺术学院主办、意大利知名艺术家Gian Luigi Cappelletti与Alessandro Dolfi策展的“意大利青年艺术家11人古典群雕绘画展”。
Exhibition Works Introduction
Taking the artist’s handmade artist’s books as the core thread, this
exhibition is supplemented by a series of works featuring printmaking
language and commemorative significance, presenting Zhang Qiange’s
self-exploration and conceptual expression in her artistic practice over
recent years.
The main exhibited works include:
1.Handmade Artist’s Book Record of Explosion
2024, Linocut, Image Size: 15×46cm
Detailed Work Introduction
Edition: 3/5
This work is a double-page illustration from the handmade book Record
of Explosion. It recreates the poem Record of Explosion by Chen Nianxi,
a poet who once worked as a miner. Through either rough or sharp
incisions, and layered textures as dark and dense as ink, the work
attempts to recreate that cry from the depths of the earth’s strata—a
raw, tragic vitality like dynamite, bursting forth from the humble under
the heavy weight of fate.
The work seeks to freeze the imminent moment of "explosion": where
destruction and rebirth, darkness and faint light violently intertwine.
It is a tribute to all wills to live that still strive to shine
brightly, even under the crushing weight of life.
Note: More detailed introductions to the exhibited works will be
released simultaneously on the official WeChat account of "STUDIO
EDITION ONE".
2.Handmade Artist’s Book Invisible Cities
Composed of 9 independent works, 2024, Painted with artist-made watercolor
3.Handmade Artist’s Book Zobeide
Composed of 2 independent works, 2024, Linocut
4.Handmade Artist’s Book Viviparity
Composed of 9 independent works, 2022, Linocut
5.Handmade Artist’s Book Tianshui Folk Custom Illustrations: Guilt-Related Ailments
Composed of 3 independent works, 2022, Mixed Media
6.Handmade Artist’s Book Tianshui Folk Custom Illustrations: Mountain Deities
Composed of 3 independent works, 2022, Mixed Media
7.Illustration Series The Oval Portrait
Composed of 3 independent works, 2022, Watercolor, Inspired by the short stories of American writer Edgar Allan Poe
This work is included in the China Illustration Art Yearbook.
8.Illustration Series Cosmic Wonders
Composed of 3 independent works, 2022, Watercolor, Inspired by the novel Cosmicomics by Italian writer Italo Calvino
9.Printmaking - Tarot Series The Sun, The Moon, The Stars
2021, Linocut. For details on THE SUN, see the auction records of Guardian Auction Online.
10.Printmaking - Silence Series
2024, Copperplate Print
11.Printmaking - Exploring the Clear Water River Ⅰ, Ⅱ, Ⅲ
2020, Copperplate Print
12.Gypsum Sketch
Drawn from life at the Andersen Museum in Italy, 2019. This work was
exhibited in the "Classical Sculpture and Painting Exhibition by 11
Young Italian Artists" — an event hosted by Accademia di Belle Arti di
Roma and curated by renowned Italian artists Gian Luigi Cappelletti and
Alessandro Dolfi.
｜手工艺术书小知识｜
手工艺术书（Illuminated
Manuscript）源于中世纪与文艺复兴时期，指由人手抄写文本并加以精致装饰与插图（Illumination）的书籍。它们不仅是阅读载体，更是融书法、绘画、镀金与装帧艺术于一身的珍宝。欧洲手工艺术书的历史，可谓一部将文字、图像与极致工艺相结合，表达信仰、知识、权力与美的历史，意大利更在其诞生、复兴与传播中扮演核心角色。
即便在古登堡发明活字印刷术（约1450年）后，手工艺术书仍延续相当长时期。印刷术推动了书籍的大规模生产与知识普及，手抄行业虽渐趋式微，书籍装帧与插图艺术却以新形态存续于印刷书中。
意大利手工艺术书的历史，宛如一部从宗教虔诚走向世俗荣耀的微观艺术史。它既记录绘画风格的演进——从拜占庭、哥特至文艺复兴，也反映社会权力的转移——从修道院至宫廷，最终在印刷浪潮中蜕变为一种永恒的艺术形式。这些珍贵遗产现藏于世界各大图书馆与博物馆（如佛罗伦萨劳伦森图书馆、梵蒂冈图书馆），持续向世人诉说那个以双手与匠心“照亮”知识的时代。
如今，手工艺术书的精神由“艺术家手制书”承接。艺术家将书籍本身视为艺术表达的媒介，进行实验与创作，超越传统装饰功能，承载更深层的观念。
Fun Facts About Illuminated Manuscripts
Illuminated Manuscripts originated in the Middle Ages and the
Renaissance. They refer to books where texts were hand-copied,
accompanied by elaborate decorations and illustrations (known as
"Illumination"). These works are not merely carriers for reading, but
treasures that integrate calligraphy, painting, gilding, and bookbinding
art into a single entity.
The history of European illuminated manuscripts can be described as a
narrative of combining text, images, and exquisite craftsmanship to
express faith, knowledge, power, and beauty. Italy played a pivotal role
in their emergence, revival, and dissemination.
Even after Gutenberg’s invention of movable type printing (c. 1450),
illuminated manuscripts continued to exist for a considerable period.
While printing promoted the large-scale production of books and the
popularization of knowledge, leading to the gradual decline of the
hand-copying industry, the arts of bookbinding and illustration
persisted in printed books in new forms.
The history of Italian illuminated manuscripts resembles a
microcosmic art history evolving from religious devotion to secular
splendor. It not only records the evolution of painting styles—from
Byzantine and Gothic to Renaissance—but also reflects the shift of
social power, from monasteries to royal courts. Eventually, amid the
wave of printing, illuminated manuscripts transformed into an enduring
art form.
These precious legacies are now housed in major libraries and museums
around the world (such as the Biblioteca Medicea Laurenziana in
Florence and the Vatican Library), continuing to tell the story of an
era when knowledge was "illuminated" through human hands and
craftsmanship.
Today, the spirit of illuminated manuscripts is carried forward by
"artist-made books." Artists treat the book itself as a medium for
artistic expression, engaging in experimentation and creation that
transcends the traditional decorative function of books, allowing them
to bear more profound concepts.
艺术家介绍：
张骞戈，女，1999年出生于北京，独立青年艺术家，硕士毕业于意大利罗马美术学院版画系，早于2019年参加意大利青年艺术家11人古典群雕绘画展，走向独立艺术家创作之路，至今参加国内外重要展览，其版画作品《THE
SUN》详见嘉德网拍记录，插画作品《椭圆形肖像》收录于《中国插画艺术年鉴》。其擅长创作叙述性的画面，热衷于探索语言与图像之间的更多可能。
张骞戈是一版一物工作室的创始人，致力于版画和艺术家书的交流与创作。
注：参展作品更多具体介绍将同期在一版一物公众号发布。
Artist Introduction:
Zhang Qiange, female, was born in Beijing in 1999. She is an
independent young artist who graduated with a master’s degree from the
Printmaking Department of Accademia di Belle Arti di Roma, Italy. As
early as 2019, she participated in the "Classical Sculpture and Painting
Exhibition by 11 Young Italian Artists," embarking on her journey as an
independent artist. To date, she has taken part in major exhibitions at
home and abroad. Her printmaking work THE SUN can be found in the
auction records of Guardian Auction Online, and her illustration work
The Oval Portrait is included in the China Illustration Art Yearbook.
Zhang Qiange specializes in creating narrative images and is
passionate about exploring more possibilities between language and
images. She is the founder of "STUDIO EDITION ONE" which is dedicated to
the exchange and creation of printmaking and artist’s books.
